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Why do I combine scinece and art? 

With Science & Art, I am establishing a new artistic movement

in which the emotions of the artist are not the focus,

but rather those of the viewer.

My works are created from the conviction that

art unfolds its greatest power when it triggers concrete,

measurable reactions in the viewer’s brain.

Central to my approach is the deliberate use of neuroscientific insights.

Every visual element

—color, form, contrast, pattern—

is intentionally selected to stimulate

the viewer’s neural activity and evoke emotional resonance.

 

The scientific foundation of these decisions is an integral part of my artistic language:

studies on the impact of strong contrasts,

the emotion-producing effect of dots and patterns,

and the brain’s particular sensitivity to the depiction

of human faces all shape the composition of my works.

 

For this reason, many of my pieces feature human figures.

Their presence is not driven by narrative intentions but by their proven ability

to enhance attention, empathy, and emotional response in the brain.

Even the seemingly abstract design elements

—strong contrasts and recurring dot structures—

serve less as narrative content and more as tools of neuroaesthetic impact.

The content itself moves into the background;

in its place emerges a consciously applied visual technique aimed at touching,

activating, and guiding the viewer into an intense dialogue between perception and emotion. Science & Art does not understand art as an expression of artists emotion, but as a stimulating experience—an intentionally crafted impulse directed at the viewer’s brain.

 

Through my art, I translate scientific knowledge into

visual experiences that spark curiosity and wonder.

 

Through my art, I translate scientific knowledge into visual experiences that spark curiosity and wonder.

What technique do I use?

I combine ink drawings on paper with digital backgrounds

to highlight the contrast between the objectivity of science and the

emotional texture of everyday life. This fusion of analog and digital reflects the tension

between rational understanding and human experience.

My work seeks to open a dialogue between these two worlds,

revealing their hidden connections.

I am an artist, and I am a scientist.

When I left school, I first studied biology. Ten years, a Dr. title and a couple scientific publications later, I started my art career.

I was trained by the photographer Eberhard Gronau for three years. And I took courses in illustration in Vienna.

Today I combining both fields, science and art.

About me
and about my art

 

Awards

Excellence Prize - Titian Portrait Competition

Contemporary Innovation Award - Titian Portrait Competion

Honorable mention - Circle Foundation´s Contest

Finalist of second Mrs. Toolip Art competition

Finalist of Art@Climate2023 competition

Exhibtions

 

2025

Weizmann Institut of Science in Israel, on going

Pop-Up Gallery in Bad Tölz, December

Bernrieder Kunst Woche, July 27th to August 15th

Munich - Marienplatz 2, Mai and June


2024

THE HOLY ART Gallery in Athens

World Art Dubai in Dubai

Artnumber23 in Tokyo

Weizmann Institut of science in Israel

ArtMuc in Munich

KulturVison in Holzkirchen

Pop-Up Gallery in Bad Tölz

Stroke in Munich

2023    

Biennale in Florence "I am you"

Mrs. Toolip Art Gallery in Barcelona 

Artly Mix in Sao Paulo 

Art@Climate2023 in Gothenburg 

Kunstpfad Markt Schwaben 

Boomer Gallery in London 

Museum Bad Tölz

Steinheil 16 in Munich 

2022     

Jagd- und Fischereimuseum Munich 

ZUK Kloster Benediktbeuern

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